On her behalf last task being a Doyle Undergraduate Fellow, Devika Ranjan explored the intersection of governmental movie theater and social justice. Through a number of blog sites, she engages problems of faith, women’s liberties, and free message in Southern Asia.
SCENE FOUR. LIGHTS UP.
On stage right, a party course in southern Pakistan. Girls figure out how to dancing traditional Kathak, telling tales due to their motions. They tap out rhythms along with their legs, gradually learning as their TEACHER repositions.
TEACHER: Left, right, appropriate, left. On stage kept, a road theater performance within the design of forum theater. Readers people surround the scene, and jump in to the performance as invited.
The daddy, MOM, and PROTAGONIST are actors.
FATHER: I have discovered you a spouse; he can spend good cost. That’s the end for the discussion.
MOM: But she actually is just 10!
PROTAGONIST: What could I do?!
The PROTAGONIST snaps her hands and freezes the scene. She asks the viewers for recommendations.
SPECTATOR 1: try to escape from your home! Continue reading Child-bride: Agency and Marriage in Asia