Stuck somewhere within a gothic Hammer-horror throwback and trashy revenge-sploitation, The Russian Bride has trouble completely committing to a method or a story. Things finally get batty and bloody, and Oksana Orlan is great into the crazy last work. Unfortuitously, the meandering road to get at her showcase is full of lapses in logic, questionable alternatives various other shows and dubious manufacturing problems, no matter what the spending plan constraints.

Solitary mom Nina (Orlan) is hopeless to flee poverty in Russia and also to make an improved life on her child Dasha (Kristina Pimenova) in the us. Reclusive, peculiar billionaire Karl Frederick (Corbin Bernsen) becomes enamored with Nina’s profile on which appears to be a circa-1999, mail-order-bride site.

After a few ticks, Nina and Dasha move into Karl’s Tudor that is secluded estate.

After fast nuptials, Nina contends together with her brand new husband’s unhinged nature. Most of the film is simply watching just just exactly how crazy this old rich guy is and watching Bernsen try to complete a lot of schizo monologues.

The environment of a sprawling, snowed-in estate provides prospective, plus the mansion is charmingly lit and staged. Continue reading THE RUSSIAN BRIDE Review